The absolute Maestro

For MPS Mahler is the ultimate composer of classical music. Why else have his name as part of this blog? For any true lover of classical music, Mahler ranks right up there.

The Nation reports on a new book, the fourth and final volume on the life of Mahler:

"Saturated with lachrymose melodies, dirgelike rhythms and the ghastly, fatal oompahs of sad waltzes, the songs and symphonies of Gustav Mahler prophetically mourn the victims of twentieth-century catastrophes the composer died too soon to witness, or perhaps even imagine. At least that's how his work sounds today, converging in our ears with music about various horrors written by composers he inspired: Alban Berg, Dmitri Shostakovich, Benjamin Britten, Leonard Bernstein. Because of their achievements, and the Mahleresque tones of composers as different as Arnold Schoenberg and Franz Schmidt, Anton Webern and Kurt Weill, Luciano Berio and George Crumb, Mahler seems like a far more central figure than he was during his lifetime, when French composers dismissed him as German, Germans considered him to be Viennese and the Viennese either admired or detested him for being a Jew."

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Mahler's Prodigal Son

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